An exhibition by Lidia Lidia
Dates: 1 – 31 October, 2019
Location: 5 Bold Place, Liverpool, L1 9DN
Times: 24/7
Lidia Lidia uses her trademark pink imagery of feminine stereotypes to confront the misogynistic submission of females worldwide. The gentle prettiness of popular female identity is subverted by a life-sized Barbie doll, bruised and performing multiple domestic chores, and flowers inscribed with facts about violence against women – highlighting the ubiquity of this oppression.
An installation by Abel Shah
Dates: 1 – 31 August, 2019
Location: 5 Bold Place, Liverpool, L1 9DN
Times: 24/7
Using the body as an object of display, Abel Shah has created an installation titled Pain after Pane exploring ideas around the language of objects, structures of value and the notion of the spectacle.
“They stare in timeless wonderment through shop windows. Enraptured. Entranced. Enlightened.
Pain after pane after pane…. the glass fragments continue down the street…”
abelshah.com
Dates: 15 December 2018 – 15 January 2019
Location: 5 Bold Place, Liverpool, L1 9DN
Times: 24/7
An installation by Georgia Rusch.
Inspired by Water Babies – a Victorian allegory for the existence of the soul despite the lack of scientific evidence – Georgia Rusch has made her own Water Babies as an updated allegory of how consumption of throw-away commodities has polluted the vast, enigmatic oceans that surround us.
Due to multiple requests we have extended the deadline for installation proposals for 5 Bold Place from 30 September 2018 to 15 October 2018. To apply see Art In Window’s Submissions page.
Dates: 1 August – 31 October, 2018
Location: 57-61 Regent Road, Liverpool, L5 9SY
(on corner with Blackstone Street – don’t rely on satnav!)
Times: 07:00 – 23:00 daily
Art In Windows opens its new location in the historic, north-Liverpool docks area with a show by sculptor Adrian Jeans.
In Back From The Dead, Jeans displays portraits cast in agar jelly (more commonly used to grow bacteria in petri dishes) to explore portraiture’s search for living likeness. Unlike with traditional sculpture materials, the agar heads will be colonised, and then biologically re-animated, by bacteria floating in the air – a process that will physically alter the portraits and bring the normal ambitions of portraiture to a logical, but unexpected, conclusion
Adrian Jeans
Dates: 15 June – 31 July, 2018
Location: 5 Bold Place, Liverpool, L1 9DN
Times: 24/7
Jeans playfully explores life-sculpting’s practical conflict with expression by comically contrasting the dour head of a man who sat long hours for his portrait with the gesturing hand of the artist full of meaning. Accompanying this are 100 drawings that impressively chart the hand’s boundless expressivity.
Artist: Alison Little
Dates: 6th March – 6th April
Location: 5 Bold Place, Liverpool, L1 9DN
Times: 07:30 to 23:00 daily
The Female suspension is an installation which addresses a world of sexual violence. The lower bodies and limbs of numerous women who have been raped are suspended by chained, hooks penetrating their groins. Meat like, a waste product, violated then disposed of like an animal carcass meat still to be stripped from the bones.
www.alisonlittleblog.wordpress.com
Posters by Peter Appleton
Dates: 6th January – 6th February 2018
Location: 5 Bold Place, Liverpool, L1 9DN
Times: Dawn to 11pm daily (viewing from street)
Over 2000 years ago he developed a theory of political governance which started with aristocracy and inevitably progressed through stages to tyranny.
This exhibition of posters explores those stages and invites the viewer to decide where we are as a society along that journey between the two extremes.
Aristocracy – rule by a few families born to rule – familia supra omnia – family above all.
Timocracy – rule by the worthy and wealthy – pecuniate obedient omnia – money masters all things.
Oligarchy – rule by business and interests behind the scenes – regem comitem me comes regem – you make me a count I will make you a king.
Democracy – rule by the majority but at what point do the ‘rights’ of individuals impact on collective rights? An nesis mi fili quantilla prudential mundus regatur – do you know my son with how little wisdom the world is governed?
Tyranny – rule by a dictator – sic semper tyrannis – thus always to tyrants.
Email applpainter@aol.com
Web site www.applpainter.wix.com/peterappleton
Date: 16th November to 3rd January 2018
Property: 5 Bold Place, Liverpool, L1 9DN
Artist: Colette Lilley
Landlord: Frensons
LEARN TO SEE/LEARN TO DRAW is an exhibition that follows Colette’s journey as she explores the process of drawing from the perception that ‘It’s not drawing that has to be learned, it is seeing.’ – Betty Edwards.
Throughout the exhibition Colette will be posting helpful insights on her Instagram and Twitter to guide others in learning to see, inspiring them to pick up their pencils and draw.
LEARN TO SEE/LEARN TO DRAW
Colette Lilley
16th November till 3rd January
5 Bold Place, Liverpool, L1 9DN
Art In Windows are happy to announce their second exhibition in 5 Bold Place, LEARN TO SEE/LEARN TO DRAW is an exhibition by the Liverpool-based artist Colette Lilley. The works displayed in the exhibition are part of Colette’s journey as she explores the process of drawings from the perception that ‘It’s not drawing that has to be learned, it is seeing.’ – Betty Edwards.
Throughout the exhibition, Colette will be posting helpful insights on her Instagram and Twitter to guide others in learning to see, inspiring them to pick up their pencils and draw.
The exhibition was originally scheduled for 14.10.17-11.11.17 but due for unforeseen circumstances is now running from 16th November 2017 till 3rd January 2018.
www.colettelilley.com
Instagram@colettelilley
Twitter @colettelilley
The exhibition is supported by Frenson
Art in Windows 